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– Subtitling FR 2021

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It all started like a dream.

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There was this that I address my
inch, along this road of the

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so that destiny immediately opens the doors to me
doors of a superb car.

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It was a chance worthy of a
press release.

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What am I saying? Millennials? I was
in

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running away.

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00:02:08,070 --> 00:02:10,210
This is the only word that could sum up my
situation.

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00:02:12,080 --> 00:02:16,080
I was afraid that the driver
worrying has not understood and that he

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to the cops.

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But that was not the case.

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00:02:20,180 --> 00:02:22,980
For the first time, I got away
from my old people.

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No more boredom of family vacations.

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I wanted to experience adventure and
discover hidden worlds.

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There, I get to be served.

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The idea of kidnapping had haunted the
most of my childhood nights.

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And always, this idea evoked
refined tortures.

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deeply desired rapes.

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I was sure that I still had
discover new sensations,

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unexplored chasms.

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And here I am, at the bottom of these carriages
modern times, surrounded by two

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oriental princes, led towards a
destination unknown.

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Either way, it's too late to
move back.

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My destiny is written somewhere
sky, above the roofs today

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haunted by memories of nights past,
crowded with dream creatures,

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'orgies. and perversity.

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Only one night in this castle
mysterious would it be enough to calm my

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'waited.

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... ... ...

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... ...

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It's good, it's good.

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Are you feeling good? Yes, I am very
good.

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ST' 501 subtitling

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Thank you all.

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THANKS.

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That's it.

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... ... ... ...

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... ... ...

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...

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All right.

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That's it.

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Yes, it's true.

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FR subtitles

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00:13:19,620 --> 00:13:24,208
?

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I need a brush.

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I need water.

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FR subtitles?

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I've never seen that.

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00:16:05,560 --> 00:16:08,360
It is

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good

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... ... ... ...

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Applause.

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00:19:10,680 --> 00:19:12,260
We're going to look where he is
grouped.

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00:19:23,800 --> 00:19:25,500
We're going to look where he is
grouped.

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00:19:26,460 --> 00:19:27,620
Everything that's happening is true.

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Do you hear me or what? Everything that
pass.

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I'm down, I'm on the verge

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departmental road 14, after Saint
-Light.

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Yes, you see, it's just after Pont
-Sainte-Maxence.

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00:20:21,250 --> 00:20:24,210
And I need right away, right away
following a tow truck.

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00:20:24,720 --> 00:20:25,780
Yes, that's okay.

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00:20:26,140 --> 00:20:28,560
Well, whatever the price, it doesn't matter
importance.

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I want right now, right now, the
as quickly as possible.

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Thank you so much.

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See you later.

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00:21:22,100 --> 00:21:23,100
Oh, hello.

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I'm very happy to see you.

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00:21:25,340 --> 00:21:26,840
This is not at all what happened.
past.

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00:21:27,080 --> 00:21:29,520
You're going to watch because I don't
I don't know much about it.

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00:21:30,320 --> 00:21:33,920
She stopped, it started
push, then there it is, it's not

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that.

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I hope it's not one of yours
serious.

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00:21:57,060 --> 00:22:03,220
Okay, well you don't have any more
gasoline. It's out of gas.

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... ... ... ...

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00:22:36,460 --> 00:22:37,460
...

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ST' 501 subtitling

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00:23:41,450 --> 00:23:45,710
What does the mechanism do?
Ah, is the container 5 liters? But

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said to himself, this guy, how do we raise my
car and they say the container is small

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I put the can in my car.

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I put the bottle in my country.

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I put the bottle in my country. I have
put the can in my country.

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I put the bottle in my country. I have
put the can in my country.

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I put the bottle in my country.

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00:24:07,880 --> 00:24:09,300
It's magnificent.

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Listen, let's see what he has.
Look at that.

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00:24:12,340 --> 00:24:13,360
Look, it's beautiful.

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00:24:14,180 --> 00:24:20,880
Look at. But look. It's a good
driver. And

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we will look. We're going to look at what he
a.

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00:24:23,560 --> 00:24:25,640
But look at these papers.

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We're going to look at his job card.

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But listen, she's beautiful, her card
work. She is magnificent.

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00:24:31,940 --> 00:24:35,380
What do you think about it? Look
-me that.

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Ah, he treats well, huh? He likes
the cruet, look.

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00:24:48,500 --> 00:24:49,500
Like that,

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eh ? I tell you he likes it.

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00:25:18,410 --> 00:25:20,490
We're going to hire him. What do you think
think?

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HI !

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00:27:12,170 --> 00:27:13,710
ST' subtitles

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00:27:15,290 --> 00:27:16,290
501

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00:27:42,060 --> 00:27:43,060
Go! Go! Go.

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00:27:44,420 --> 00:27:45,420
Come on,

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go, go.

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00:28:14,399 --> 00:28:18,200
... ... ... ...

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00:28:18,200 --> 00:28:28,140
...

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00:28:28,140 --> 00:28:29,140
...

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00:28:45,000 --> 00:28:46,580
Come on, come on, come on, you're calling. Come on.

107
00:28:47,340 --> 00:28:48,360
I'm going to film with him.

108
00:28:49,380 --> 00:28:50,500
Come on, throw it away, throw it away.

109
00:28:51,040 --> 00:28:56,180
It's in the title, come on.

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00:28:56,440 --> 00:28:57,440
Come, come.

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00:29:14,000 --> 00:29:16,620
That's how I came.

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00:29:19,360 --> 00:29:21,440
It's like

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00:29:21,440 --> 00:29:28,320
that's what I am

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00:29:28,320 --> 00:29:29,320
came.

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I'm afraid, I'm afraid.

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I'm afraid.

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I'm afraid.

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Subtitling Société Radio-Canada

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00:31:00,070 --> 00:31:03,470
It's not stupid. It's not stupid.

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It's not stupid.

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FR subtitles?

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00:32:51,200 --> 00:32:52,320
I see everything in the background.

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... ... ...

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00:33:01,810 --> 00:33:12,890
...

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00:33:12,890 --> 00:33:13,890
...

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00:33:37,900 --> 00:33:38,900
It's so good.

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00:34:00,430 --> 00:34:01,810
Vas -y, vas -y, vas -y.

128
00:34:39,259 --> 00:34:43,760
It's good, huh? It is

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good huh

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00:34:48,820 --> 00:34:54,360
?

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00:34:58,860 --> 00:35:00,840
Yes, that's how there are a lot
things that are happening.

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Ah, don't use it there

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00:36:09,930 --> 00:36:19,350
?

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00:36:49,520 --> 00:36:50,520
Yes, it's true.

135
00:37:21,960 --> 00:37:22,960
It's a deal.

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00:47:02,640 --> 00:47:03,640
My camp.

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00:47:03,920 --> 00:47:04,360
C

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00:47:04,360 --> 00:47:14,280
'East

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00:47:14,280 --> 00:47:16,980
Good. It's good. It's good. It's good.
It's good.

140
00:47:17,240 --> 00:47:19,060
It's good. It's good.

141
00:47:20,680 --> 00:47:22,240
It's good.

142
00:47:23,000 --> 00:47:24,000
It's good.

143
00:47:24,320 --> 00:47:30,280
It's good.

144
00:47:39,939 --> 00:47:41,400
He translates the latest album from Algiers.

145
00:47:42,780 --> 00:47:43,780
Imagination.

146
00:48:32,300 --> 00:48:34,900
Can you drop me off for the last one?
Yes, okay. No,

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00:48:36,540 --> 00:48:37,880
no, no.

148
00:48:38,940 --> 00:48:40,300
This guy is sick.

149
00:48:40,880 --> 00:48:42,040
Come on, let's get out of here guys.

150
00:49:13,520 --> 00:49:17,920
Be careful, an authentic cassette
Videomo has the thumbnail on top

151
00:49:17,920 --> 00:49:22,160
Videomo with the duration of the film and a
sticker with title and copyright.

152
00:49:27,600 --> 00:49:34,420
They are young, fiery, tough, they
explode with life, the wild twinks.

153
00:49:34,720 --> 00:49:38,460
Under a gray sky, a center of
supervised education.

154
00:49:43,450 --> 00:49:49,150
Eight wild twinks with backgrounds
troubles, eight poor young people

155
00:49:49,150 --> 00:49:53,010
violent sexual relations establish their
own social order.

156
00:49:53,390 --> 00:49:58,590
The clan leader mercilessly hunts down the
newcomer and subjects him to his law.

157
00:49:59,290 --> 00:50:05,090
Jealousies, tensions and
desires burst upon the arrival of the young

158
00:50:05,090 --> 00:50:10,310
lonely. An accomplice and he take
under their protection the victim and

159
00:50:10,310 --> 00:50:12,190
put an end to feudal rule.

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00:50:12,840 --> 00:50:18,920
With Les Minets Sauvages, Cadino succeeds
a difficult study of morals and place

161
00:50:18,920 --> 00:50:22,200
from the outset his work stands out from all
category.

162
00:50:23,680 --> 00:50:27,040
Sacred College, a 60-minute film.

163
00:50:27,380 --> 00:50:33,960
In 1952, six college students stuck together for
various reasons spend their vacation

164
00:50:33,960 --> 00:50:35,960
Easter in a provincial boarding school.

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00:50:41,420 --> 00:50:46,000
From the refectory to the bathing area
through the kitchen, the infirmary, the

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00:50:46,000 --> 00:50:51,580
sinks and dormitories at bedtime
nap, Cadino's camera, too

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light as a breeze, roll up the
short pants and reveals a

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00:50:56,800 --> 00:51:01,540
special friendship we have
known where Marion is unknown.

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00:51:06,200 --> 00:51:09,300
When two tendernesses and perversities

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00:51:10,110 --> 00:51:15,350
disturb the adults around them.
The gardener, the cook, the

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00:51:15,350 --> 00:51:19,090
'nurse, but perhaps also the
superior.

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00:51:22,730 --> 00:51:28,930
Sacré Collège, with Guy Bourgeois,
François Cari, Frédéric Christopher,

173
00:51:29,490 --> 00:51:36,170
Alexandre Delfaro, Mike Lee, Arnaud
Monastier, the college students, and

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00:51:36,170 --> 00:51:41,320
Thierry Lange, the cook Laurent
Girard, The Gardener, Boris Bruneau.

175
00:51:41,640 --> 00:51:44,060
The superior, Gérard Lemour.

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You dream of entering the world of
little boys? Treat yourself to this

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00:51:54,940 --> 00:51:57,940
cassette, without risking misappropriation
of minors.

178
00:52:01,500 --> 00:52:04,360
Dream Boys, a 30 minute film.

179
00:52:04,740 --> 00:52:10,060
In the secrecy of a confessional, One
disappointed young straight man shamelessly confesses

180
00:52:10,060 --> 00:52:12,300
his homosexual desires and pleasures.

181
00:52:12,640 --> 00:52:16,920
In the warmth of a bedroom
clinic, the young man will experience the

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00:52:16,920 --> 00:52:22,140
revelation of forbidden pleasures thanks
to the shock treatment of the nurse and

183
00:52:22,140 --> 00:52:23,860
of his accomplice in bed.

184
00:52:24,460 --> 00:52:27,940
Dream Boy, written and directed by
Jean-Daniel Cadino.

185
00:52:28,280 --> 00:52:30,600
Jean mon cousin, a 60 minute film.

186
00:52:30,920 --> 00:52:34,820
Alex tells his older brother about
first gay adventure with a boy

187
00:52:34,820 --> 00:52:36,200
in the bar toilets.

188
00:52:36,620 --> 00:52:40,440
The eldest then reveals his adventures to him
sex with their cousin from the farm

189
00:52:40,440 --> 00:52:41,440
during the summer holidays.

190
00:52:41,820 --> 00:52:42,779
Charming cousin.

191
00:52:42,780 --> 00:52:47,100
The attic, the stable, the barn are the
framework of prohibited games. A spirit poker

192
00:52:47,100 --> 00:52:50,120
brings the little neighbors to carve
a pipe himself.

193
00:52:50,400 --> 00:52:54,100
It's so horny that it turns into
the general decline. The story makes

194
00:52:54,100 --> 00:52:58,800
cheat the two brothers. What to do
otherwise fuck together? Funny family

195
00:53:00,320 --> 00:53:04,920
Tender ax and straight cock, a film
written and directed by Jean-Daniel

196
00:53:05,080 --> 00:53:06,240
lasted 60 minutes.

197
00:53:06,500 --> 00:53:11,640
At home, rehearsals for a nude show
masculine. On your screen, 9 young people

198
00:53:11,640 --> 00:53:16,060
20 year old guys in great shape, under the
vigilant and knowledgeable gaze

199
00:53:16,060 --> 00:53:20,280
choreographer and lighting designer, who
no longer knows which controller to fiddle with.

200
00:53:20,620 --> 00:53:25,080
You will be complicit in their choice of
live and their pleasure will splash you.

201
00:53:25,420 --> 00:53:29,080
Tender ax and straight penis, the other side of
decor.

202
00:53:29,320 --> 00:53:35,180
Under indecent lighting and angles
new, beauty and youth will burst forth

203
00:53:35,180 --> 00:53:37,380
of your screen and will be right about your
nerves.

204
00:53:38,440 --> 00:53:43,040
How does Cadino meet its actors?
How does a photo shoot work? What

205
00:53:43,040 --> 00:53:47,840
feeling exists between the filmmaker and his
models? M for Twink responds to your

206
00:53:47,840 --> 00:53:52,640
questions. Pierre is 18 years old, bisexual, this
that he seeks with men, the

207
00:53:52,640 --> 00:53:56,920
different, the unusual, its places of
fuck, cellars, stairs,

208
00:53:56,920 --> 00:53:57,960
urinals, trains.

209
00:53:58,330 --> 00:54:02,710
His first decline, rape at 16
in the bakery by the boss's son

210
00:54:02,710 --> 00:54:03,930
he was an apprentice baker.

211
00:54:04,130 --> 00:54:07,570
In 60 minutes, Cadino makes a film
authentic.

212
00:54:09,190 --> 00:54:10,510
Beach boys.

213
00:54:12,230 --> 00:54:18,550
In summer, Saint-Romeu, sex is king.
On the beach, six boys

214
00:54:18,550 --> 00:54:24,990
adorable people spend their vacation
adored, of course, but also to flirt

215
00:54:24,990 --> 00:54:26,950
introduce the world most cheerfully.

216
00:54:27,530 --> 00:54:34,150
Beach boy, a wild film,
dream settings, rounded buttocks and

217
00:54:34,150 --> 00:54:40,570
smooth, puffy tails and
radiant. This boy, so hot

218
00:54:40,570 --> 00:54:41,570
relaxing beach.

219
00:54:41,750 --> 00:54:46,750
But who is the evil character who
lurks under the tamarisk trees? Beach boy,

220
00:54:46,770 --> 00:54:51,150
a 30-minute film by Jean Daniel
Cadino under the Videomo label.

221
00:54:57,260 --> 00:55:02,700
Scoot, always prepared and ready for anything.
In the wild gorges of Haute

222
00:55:02,700 --> 00:55:06,680
-Provence, eight scoots follow, two per
two, a game of marbles.

223
00:55:06,920 --> 00:55:10,480
A disoriented young blond tourist
crosses the road.

224
00:55:10,860 --> 00:55:13,640
Goodbye virginity, hello pleasure.

225
00:55:14,220 --> 00:55:17,920
Scoot, a 30-minute film by
Cadino.

226
00:55:21,120 --> 00:55:25,380
Arème, a colorful film.

227
00:55:25,870 --> 00:55:31,550
Tony's first 60 Minutes film
Dark, a Videomo exclusive.

228
00:55:32,450 --> 00:55:38,870
From bazaar to back shop, from hammam
in a Moorish palace, the young European

229
00:55:38,870 --> 00:55:44,590
blonde finds flamboyant pleasure in
a real descent into the garden of

230
00:55:44,590 --> 00:55:45,590
sodomy.

231
00:55:50,190 --> 00:55:54,950
Strange epics where the cemeteries
sparkling leaves room for others

232
00:55:54,950 --> 00:55:57,950
bronze or ebony, curved and
tense.

233
00:56:00,150 --> 00:56:05,130
No rest for these dead warriors,
nor for the blond teenager who

234
00:56:05,130 --> 00:56:06,990
engage in enjoyable battles.

235
00:56:08,730 --> 00:56:15,330
The heat, the incense turns the
heads, ignite and open bodies

236
00:56:15,330 --> 00:56:17,490
for dazzling penetrations.

237
00:56:21,100 --> 00:56:27,920
But in this surge of bodies
met, this blond pilgrim from the sect

238
00:56:27,920 --> 00:56:31,700
is he the one who is the goal of his quest
?

239
00:56:31,700 --> 00:56:38,360
Tonida takes us into a

240
00:56:38,360 --> 00:56:43,180
wild fantasy of erected phallus
glory of man.

241
00:56:46,160 --> 00:56:52,720
Arem, with Pierre-Yves Dargé and Omar
Salam, and with Abdelaziz, Arnaud

242
00:56:52,720 --> 00:56:58,360
Manassier, Jai Kamara, Luigi Di Combo,
Marek Rothman, Michael Dixon, Mangum

243
00:56:58,360 --> 00:57:01,480
Gaza, Walid Jalal and Sidney McKenna.

244
00:57:02,960 --> 00:57:05,580
Men prefer men.

245
00:57:05,780 --> 00:57:11,840
30 minute film and not just one
Tony's personal vision of Paris

246
00:57:11,840 --> 00:57:15,380
Dark, but also a document on life
nocturnal.

247
00:57:17,290 --> 00:57:23,230
Throughout the world, cabaret is
synonymous with pleasure and Paris, the

248
00:57:23,230 --> 00:57:24,230
sex.

249
00:57:24,710 --> 00:57:30,850
A splendid dancer proposes to
spectator its very particular charm

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phenomenal. While the capabilities of
another dancer will encourage you to

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use reverse to
watch certain sequences again.

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Men prefer Tony's men
Dark under the Videomo label.

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Tony Dark's Construction Men
think more about fucking than work.

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Construction site men, a film of 30
minutes.

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Videomo also presents the collection
Trophy, 10 cassettes of 1 hour.

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Videomo, a registered trademark, also distributes
12 Colt cassettes of 30 minutes.

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Muscle made in the USA.

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You will find the entire collection
Videomo plus 200 other films. It's

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00:58:22,390 --> 00:58:28,270
Videovision, 62 rue de Rome, 75 008
Paris.

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Videomo also distributes
exclusive to the Dogshot range, 5

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minutes.